Bryk’s return to “performance” after seven years of child rearing “sabbatical.” Nearly all new songs, warts and all. Utterly unprofessional recording grabbed from FB Live but don’t worry, the camera gets adjusted upwards once the set starts. You’ve probably never heard songs quite like these.
I opened a house concert for my old friend and tourmate Michael Holt. This is the warts and all document, sneetched from Facebook Live. Super rough around the edges and straight from the heart. All new songs except for the opener and closer, this is “what I’ve been up to”, sort of.
I almost forgot about taking part in Durham’s delightfully eclectic Pop Up Chorus a few years back, gleefully conducted by my old peep (and Pop Psychology hornsmith) Seamus Kenney. I never actually make it on camera (look for my striped blue short sleeve shirt from behind) but you can definitely hear me in there. It was a great time, but the next morning I got a brutal kidney stone. Damn you, salty delicious barbecue.
“She’s An Angel” by They Might Be Giants, recorded on Monday, April 28, 2014, at Motorco in Durham, North Carolina. PopUp Chorus is held on Monday nights at Motorco in Durham, NC, and is brought to you by Community Chorus Project, founded by Lauren Bromley Hodge.
A quick update:
I’m playing “An Evening of Song” at Kenny’s Castaways on Nov 12th, with George Usher (an NYC legend with a long history including Beat Rodeo and “Little Apocalypse”-era Schramms) and Kevin Montgomery, who has assigned himself the herculean task of playing 50 shows in 50 states… in 50 days. I’m on last at 10pm so get there early: details
Work progresses slowly on a new mini-album, sort of a companion record to PP. It will feature a couple of my best unreleased songs, and my intention is to have it out in 2009. If that means Dec. 31st, so be it, I’m putting my foot down on this one. I’ve also been setting up an as-yet-unnamed new analog/digital recording studio out in NJ, which will be a really cool place to get some of my own work done too. The owner is a serious synth dude and has a real treasure trove of classics including a gorgeous-sounding ARP Solina that I hope will make an appearance on the new record.
I’m not usually into licensing my songs for advertising, but I made an exception for Flip and Tumble. Their reusable shopping bags are not only cool-looking, but they fold down so well they really are easy to keep in a jacket pocket when you’re heading to the, um, discount store…
Now that I’ve actually MOVED to New York City, I finally have a new (to you, old to me) song on the Durham, North Carolina label Pox World Empire Compulation 3 CD, along with some good friends like Bull City, The Old Ceremony, My Dad Is Dead(!) and a bunch of deadbeats who probably never returned my phone calls and emails. KIDDING!
Still, it’s always special nice to be considered a vital part of a scene you’ve abandoned, and I wish I could be there to watch aformentioned rock machine Bull City play the Compulation CD release show tomorrow night at Local 506. BC’s James “Jim” Brantley plays smoking dual leads (panned stereo for extra width!) on my song. Which is called Hang Around and is two minutes and fifty-nine seconds of whatever it is that I do best. (In all honesty, it’s one part “Brand New Hairdo” and two parts “Love You More.”) In any case, you have my full permission to go and buy it and see what all the hot fuss is about down there in North Carolina!
Did I mention I moved to NYC? I have, and I even booked my first proper Living Room gig yesterday with my friends Noam Weinstein (who’s from Boston, although he lives here now) and Mike Evin (who’s from Montreal). The gig is on Friday August 21st from 8-9:45. Not sure who plays first, or who will have a band ready in time for the gig (cough!). Also, we need a catchy name for the show. Any ideas?