Tuesday, 28 November 2017

House Concert

Dan Bryk – House Concert – Nov 2017

Bryk’s return to “performance” after seven years of child rearing “sabbatical.” Nearly all new songs, warts and all. Utterly unprofessional recording grabbed from FB Live but don’t worry, the camera gets adjusted upwards once the set starts. You’ve probably never heard songs quite like these.

I opened a house concert for my old friend and tourmate Michael Holt. This is the warts and all document, sneetched from Facebook Live. Super rough around the edges and straight from the heart. All new songs except for the opener and closer, this is “what I’ve been up to”, sort of.

Tuesday, 2 February 2016

A New Song. No, really.

I contributed a cover of “I Hate My Generation” to an upcoming Sloan tribute record. How upcoming? It drops this Friday the 5th on Detroit’s Futureman Records. They’re even taking pre-orders.

I Hate My Generation, by Dan Bryk

from the album If It Feels Good Do It – A Sloan Tribute

It’s an admittedly highly interpretive take on the original, and I managed to sucker an amazing band into it: Josh Hicks on the sticks, Joe Giddings (ex-Star Collector) and Steve Della Maggiora on guitars, Frank Padellaro (you may know him from King Radio or the Scud Mountain Boys) on bass and Brandi Ediss on shouting.

And me on harmonies. Lots and lots of harmonies. Do you remember how Moxy Früvous’ Get In The Car basically ripped off the intro (and uh, general vibe) of Pen Pals? You don’t? Well, I sure as hell do!

Sunday, 5 April 2015

Horizons in My Way [Video]

Horizons in my Way

An archive dive for A Bit of The Old In and Out Theme. A duet with the lovely Greta Gertler from my 2009 recording Pop Psychology. Video from James Maduzia’s amazing 2003 Brick Film “The Letter” — really hope he doesn’t mind my derivative use. https://archive.org/details/tl http://downloads.bryk.com/album/pop-psychology https://www.facebook.com/groups/theme.music.group/

 

Sunday, 8 March 2015

Thursday, 18 September 2014

US Air [Video]

US Air

A video made by Dan Bryk for Theme Music. Theme: Lost (unreleased song) and Found (footage). Original video source: https://www.youtube.com/watch?v=mpKYnNg37pg

Video for an unfinished song, made for Theme Music‘s Lost (unreleased song) and Found (the footage) themes.

Original video source

Monday, 31 March 2014

Whatever Happened to Dan Bryk?

2014, year of the Twerk. Oh, the Horse. The damn “new record(s)” is/are taking forever, but yet I keep stealing time for them from my busy busy actually-income-streaming life. You’ll like them, I swear. One of the catchier numbers was unveiled in Radio Free Song Club’s episode #30, of which I am understandably honoured to interlope.

Number 30 | Radio Free Song Club

TO PLAY THE SHOW: Click the arrow. Click in the text box to move forward or back in the show. Adjust the volume with the bars on the left.

I moved to Washington DC (“our nation’s capital!”) at the end of last year. I miss Dar but it’s also nice having my studio back again. I took a Coursera Songwriting MOOC with professor Pat Pattison of Berklee. While finding time for hours of lectures, writing and demoing whilst full-timing a three-year-old was tricky, I learned a ton of valuable stuff, even at my advanced age. The peer assessment feedback was priceless. Assuming you’re curious, here’s my final assignment:

 

Now that I am practically soaking with UAD mix horsepower, I  decided to dust off and finish up a couple more unreleased, abandoned, practically decontextualized recordings for the Lovers Leap bonus record — one you’ve heard if you basically EVER saw me play a show from 2000 on. The other one you’ve never heard of, I promise, but if you spent time in Parkdale in the early oughts you shall chuckle heartily. And the other other one was the flip of the ultimately non-existent Nova Bryk split 7″. (Those guys are so incredibly post-rock now, they were like “yes, take the rock from us Bryk, it’s yours now.”)

Also, I hereby promise never to Twerk.

Saturday, 10 August 2013

Lovers Leap Deluxe Reissue

Let’s see… what else is new? The Deluxe! Lovers Leap reissue hit a bit of a snag after a drive full of original artwork and media assets went into storage instead of coming to Africa with me… but the audio part is all ready and should have some real treats for y’all: Outtakes, alternates, demos, contemporaneous originals, radio sessions and a couple of live versions. And finally, that “Rick WakeMed” cover of Feelings I was too chicken sh*t to release. The original concept was “Lovers Leap: Lucky 13th Anniversary Edition” but it looks like I’m going to slip by that date.

Here’s a question: Does anyone still care about iTunes LPs? I was going to make one as proof of concept that I have the up-to-date .css and .js skills to actually make one, but it looks like Apple and The Orchard might make me jump through hoops to make that happen. I love reading liner notes, especially when they contextualize reissues of things I don’t know enough (or anything) about, and there are some pretty good Lovers Leap stories to share. Every song has at least a paragraph or two, and there are a essays and assays. Would anyone be offended if I just made a 99¢ Kindle Single of the liner notes for anyone who cares enough? I can include a PDF in the Bandcamp version.

Of course, if we kickstarted some vinyl, I would have plenty of room for liner notes…

Wednesday, 31 March 2010

I’m still here.

Hey folks.

Still writing, slowly but surely. I have a firm lineup of songs for the next album, definitely writing “inside of the box” with a “strategy” and a “game plan” this time, just struggling with finishing this specific batch of songs to the best of my limited ability. I even have a working title, but I’m sure you’d prefer fewer promises (and perhaps even some surprises) this time.

It’s tonally and rhythmically all over the map, but there’s kind of an overall theme (I would say “concept” but look how well that did for PP) tying it all together. Best songs I’ve ever written blah blah blah. You’ll like the song titles at the very least: my favourite so far is “Nestle Waters of America” which is sort of “People Get Ready” crossed with “Sail Away” crossed with this.

Hang in there, cause if I ever do get this album finished it will make the flowers bloom, the heavens part, and (most importantly) make Pop Psych sound like the ridiculous pity party it is.

Thanks for all your encouragement.

Db

Saturday, 31 October 2009

Upcoming Show, EP

A quick update:

I’m playing “An Evening of Song” at Kenny’s Castaways on Nov 12th, with George Usher (an NYC legend with a long history including Beat Rodeo and “Little Apocalypse”-era Schramms) and Kevin Montgomery, who has assigned himself the herculean task of playing 50 shows in 50 states… in 50 days. I’m on last at 10pm so get there early: details

Work progresses slowly on a new mini-album, sort of a companion record to PP. It will feature a couple of my best unreleased songs, and my intention is to have it out in 2009. If that means Dec. 31st, so be it, I’m putting my foot down on this one. I’ve also been setting up an as-yet-unnamed new analog/digital recording studio out in NJ, which will be a really cool place to get some of my own work done too. The owner is a serious synth dude and has a real treasure trove of classics including a gorgeous-sounding ARP Solina that I hope will make an appearance on the new record.

I’m not usually into licensing my songs for advertising, but I made an exception for Flip and Tumble. Their reusable shopping bags are not only cool-looking, but they fold down so well they really are easy to keep in a jacket pocket when you’re heading to the, um, discount store…

Sunday, 28 June 2009

Bandcamp, IODA, Reverbnation, Microsoft

In the interests of cutting out middlemen and bringing it all back home, the entire Dan Bryk catalogue is now available directly from my Bandcamp mini-site downloads.bryk.com (everything, that is, but the still-eponymous Dan Bryk, Asshole, which is now embarrassing enough that I am considering deleting it once and for all, and I am even considering releasing “Mississauga Rattler”, otherwise known as “the demos that got me dropped from Scratchie.”)

The part of all this that remains unbelievable for me is that I am receiving about 95% of the proceeds of the sales after PayPal takes its’ micropayments ounce of flesh. That is a pretty major game-changer for me, and was the primary reason I decided to sell Pop Psychology directly, give away the 128k version, and allow everyone to listen to it in full.

I think it’s pretty remarkable that a platform like Bandcamp can exist fully-functionally on the back of venture capital. I’m sure I’m not the only indie musician waiting for the other shoe to drop in terms of BC instituting monthly fees or taking a percentage off each download, but in the meantime they have shown a considerable amount of goodwill hosting, streaming and delivering a LOT of music bandwidth — for free. And their FAQ is fucking hilarious, as if they hired Chuck Klosterman as ghostwriter. So if there’s anything of mine you’ve ever wanted to check out, these might be the salad days of maximizing the financial reward from my work.

In other, not-as-fun news, IODA (who distributes/consolidates downloads to iTunes Music Store, Amazon MP3, eMusic, etc. for many indie labels small and large) recently raised their cheque-issuing threshold to $250 “to bring them in line with industry standards” (what industry? what standards?) which means that little labels like Urban Myth that used to have to sell 10 albums before getting paid now have to sell about 50 albums of music before they see a penny. I guess I was under the impression that the whole technological long tail thing had some potential to let little indies establish themselves with a track download here, a track download there. I guess I was wrong, and it’s new technology, same old music biz rules.

So here’s an uplifting footnote: my bull city friends over at Reverbnation have hooked up with Microsoft for “Sponsored Songs” — 1000 Reverbnation artists who now have an exclusive track available for free download, with Microsoft paying the artist 50¢ per download.  You can argue that this is yet another shot across Apple’s bow in the culture wars — with indie artists as the collateral — but in the end anything that gets the artists paid is alright with me. Admittedly my records have been pretty much made on Macs, but it’s frustrating to maintain a relationship with such an opaque lover.

Naturally, I was whimsical and/or ungrateful enough to pick perhaps the least appropriate song possible for such a corporate mash-up. I’m apparently up to $39.50 of downloads in less than a week, so please, download and tell your friends.

Db