How, exactly, does one solicit Wikipedians to update one’s Wikipedia entry? Is there a dark web where one leaves offerings of Chocodiles and Samwell Tarly fanfic in exchange for accuracy, if not flattery?
I hesitate to edit myself lest my neutrality or hell, notability be called into question. However, friends and complete strangers think I still live in Dar Es Salaam.
Let’s see… I’ve been back in the states since 2014, living in Durham NC for almost a year now. I’m doing very well under the circumstances. I will have some new music out there sooner than you’d expect and later than you think.
LOL after nearly three decades of hearing my name mangled every which way (my favorite being that Chicago Tower Records header card that read “David Bryck”) the bit that starts at 37:00 means an awful lot to me.
Welcome to the all-new Theme Artist Podcast, where we’ll feature honest-to-god record releases from fellow Theme People! This episode is about Futureman Records release If It Feels Good Do It – A Sloan Tribute and the many Themesters contained therein!
I almost forgot about taking part in Durham’s delightfully eclectic Pop Up Chorus a few years back, gleefully conducted by my old peep (and Pop Psychology hornsmith) Seamus Kenney. I never actually make it on camera (look for my striped blue short sleeve shirt from behind) but you can definitely hear me in there. It was a great time, but the next morning I got a brutal kidney stone. Damn you, salty delicious barbecue.
“She’s An Angel” by They Might Be Giants, recorded on Monday, April 28, 2014, at Motorco in Durham, North Carolina. PopUp Chorus is held on Monday nights at Motorco in Durham, NC, and is brought to you by Community Chorus Project, founded by Lauren Bromley Hodge.
This is without a doubt the best political essay I’ve read in ages, polemic or not. It crystallizes the issues with sharp and hilarious lines reminiscent of Taibbi or Bai or hell, Thomas Frank.
If Millennials are coming out in droves to support Bernie Sanders, it’s not because we are tripping balls on Geritol. No, Sanders’s clever strategy of shouting the exact same thing for 40 years simply strikes a chord among the growing number of us who now agree: Washington is bought. And every time Goldman Sachs buys another million-dollar slice of the next American presidency, we can’t help but drop the needle onto Bernie’s broken record:
The economy is rigged.
Democracy is corrupted.
The billionaires are on the warpath.
Sanders has split the party with hits like these, a catchy stream of pessimistic populism. Behind this arthritic Pied Piper, the youth rally, brandishing red-lettered signs reading “MONEYLENDERS OUT.”
And despite being a proud, self-identified millennial (imagine that!) it’s not even all about her. Mostly. So why are you still here and not already reading this thing?
Stumping for Hillary Clinton this weekend in New Hampshire, hedge fund manager Madeleine Albright squawked, “There’s a special place in Hell for women who don’t help each other.” When the Democratic National Committee chair, Debbie Wasserman Schultz, was asked earlier this year why she thought Millennials resist Hillary Clinton, she…
One of the great things about having an online distribution partner is when they take the initiative and upload catalogue tracks to YouTube in (in this case, optimistic) hopes of click-through streaming royalties.
Sometimes, though, the results are unexpected.
Provided to YouTube by The Orchard Enterprises Yrreb Yrrehc · Dan Bryk · Tha Commissioners Cherry Berry ℗ 2006 Dan Bryk Released on: 2014-06-03 Music Publisher: Dan Bryk Auto-generated by YouTube.
I forgot all about the B-side to Cherry Berry until someone emailed me asking if this was for real. (That person is apparently the ONE listener thus far.)
The idea was utterly, unapologetically ripped off from the flip of Napoleon XIV’s “They’re Coming To Take Me Aaway, Ha-Haaa!” (I mean, they are both novelty songs fronted by pseudonymous authority figures, right?)
B- Seite der Single “They’re coming to take me away, ha- haaa!” von Napoleon XIV
If you have no idea what any of this is about, there’s this:
Okay, this is easily the single greatest song ever written about a state commissioner of labor. Yep, the smiling face of North Carolina Labor Commissioner Cherie K. Berry has inspired a song. A really funny song. Actually, just a great song altogether.
Hey Kids, Look at This! It’s already May, and it’s time for 2015’s first exciting post: “Nothing’s cool, nothing matters.” Now go and buy that Bugger The Toast album you read about on all those cool blogs. You know the kind.
Also, could someone please write a plug-in that will suck all the “content” from my FB feed (stream? field and stream?) and stick it on my WP? You’re welcome. I’m going back to bed now. This has been an intolerably old-feeling year. Hey… You… get off of my lawn.
2014, year of the Twerk. Oh, the Horse. The damn “new record(s)” is/are taking forever, but yet I keep stealing time for them from my busy busy actually-income-streaming life. You’ll like them, I swear. One of the catchier numbers was unveiled in Radio Free Song Club’s episode #30, of which I am understandably honoured to interlope.
TO PLAY THE SHOW: Click the arrow. Click in the text box to move forward or back in the show. Adjust the volume with the bars on the left.
I moved to Washington DC (“our nation’s capital!”) at the end of last year. I miss Dar but it’s also nice having my studio back again. I took a Coursera Songwriting MOOC with professor Pat Pattison of Berklee. While finding time for hours of lectures, writing and demoing whilst full-timing a three-year-old was tricky, I learned a ton of valuable stuff, even at my advanced age. The peer assessment feedback was priceless. Assuming you’re curious, here’s my final assignment:
Now that I am practically soaking with UAD mix horsepower, I decided to dust off and finish up a couple more unreleased, abandoned, practically decontextualized recordings for the Lovers Leap bonus record — one you’ve heard if you basically EVER saw me play a show from 2000 on. The other one you’ve never heard of, I promise, but if you spent time in Parkdale in the early oughts you shall chuckle heartily. And the other other one was the flip of the ultimately non-existent Nova Bryk split 7″. (Those guys are so incredibly post-rock now, they were like “yes, take the rock from us Bryk, it’s yours now.”)
Also, I hereby promise never to Twerk.
Pole sana. Why the new WP install? Why, I must be late for my annual blog post! I was seriously tiring of that rapidweaver abomination standing as my “web presence.” I’m this far from becoming a Facebook dropout, in which case it was manifest destiny to migrate Buddhabubba (formerly “my personal blog”) into sort of a “new website.” So here we be. I am still in Dar Es Salaam, still nursing the songs and arrangements that will become my “new record(s).” Culture shock, the molasses jar of time called African logistics, and, uh, parental responsibility sucked up an awful lot of time this year. A year of rebooting. Despite my rMBP and now Logic X allowing for yet another unwanted matrix of possibilities, work on the “new record(s)” continues slowly but dutifully. It’s finishing the damn lyrics, as usual, that’s holding everything up. I think these are the wordiest songs I’ve ever tried to sing. One possible release configuration has the working title Lies of Girls and Women: it has one song entitled Hannah Horvath, one called White Nanny, and the possible “hit” has a spelled out chorus: E-R-I-N. As usual, any resemblance to real persons, living or dead, is purely coincidental, and even they might complain that songs seem to be the only relationships in my life where I indulge in obstructive perfectionism. Amen, sister.
P.S.: Sorry about all those scare quotes.
Still writing, slowly but surely. I have a firm lineup of songs for the next album, definitely writing “inside of the box” with a “strategy” and a “game plan” this time, just struggling with finishing this specific batch of songs to the best of my limited ability. I even have a working title, but I’m sure you’d prefer fewer promises (and perhaps even some surprises) this time.
It’s tonally and rhythmically all over the map, but there’s kind of an overall theme (I would say “concept” but look how well that did for PP) tying it all together. Best songs I’ve ever written blah blah blah. You’ll like the song titles at the very least: my favourite so far is “Nestle Waters of America” which is sort of “People Get Ready” crossed with “Sail Away” crossed with this.
Hang in there, cause if I ever do get this album finished it will make the flowers bloom, the heavens part, and (most importantly) make Pop Psych sound like the ridiculous pity party it is.
Thanks for all your encouragement.
Pop Psychology got a very nice review from Pitchfork yesterday, theoretically the biggest media “break” this record might receive.
I know I’m probably breaking some sort of taboo by writing this, but 24 hours later… here’s the math:
• 1,734 web page loads from bryk.com
• 4954 song plays on my Reverbnation widgets (including the main player on the splash page of my site)
• 5 Reverbnation Site Visits, no added fans
• 6 Tweets linking to the review (not including my own)
• 1 Email from a high school friend I haven’t heard from in 20 years.
(I have no idea what’s going on with Myspace, as of this morning it says my “profile is undergoing routine maintenance” as is my ability to log in. They apologize for the inconvenience, which is kind of annoying considering the timing, but not a huge issue as they don’t really provide much in the way of stats.)
• I’ve had 346 streaming player/store visits
• I’ve had 101 track “plays”
• I’ve given away 22 free downloads: 15 Pop Psychology, 1 Lovers Leap, 1 Discount Store and 5 miscellaneous track downloads
• I’ve sold exactly 4 PP downloads (plus a Lovers Leap download)
1. Pitchfork drove a fair bit of Traffic to my site(s).
2. Could my music really be that unappealing to all those readers and listeners?