LOL after nearly three decades of hearing my name mangled every which way (my favorite being that Chicago Tower Records header card that read “David Bryck”) the bit that starts at 37:00 means an awful lot to me.
Welcome to the all-new Theme Artist Podcast, where we’ll feature honest-to-god record releases from fellow Theme People! This episode is about Futureman Records release If It Feels Good Do It – A Sloan Tribute and the many Themesters contained therein!
Played pianorgan on this sweet little King Radio song not long before my dad passed away. Not a song about grammar.
King Radio: The Definite Article Frank Padellaro: guitar and lead vocal, Paul Pelis: drums, Rob Cook: bass, Lee Flier: lead guitar, Dan Bryk: organ and piano, Brandi Ediss: backing vocal and vocal arrangements, Diana Chadwell Brown: backing vocal, Matt Brown: backing vocal, Bob Fenster: backing vocal, Lee Wiggins: tambourine.
I almost forgot about taking part in Durham’s delightfully eclectic Pop Up Chorus a few years back, gleefully conducted by my old peep (and Pop Psychology hornsmith) Seamus Kenney. I never actually make it on camera (look for my striped blue short sleeve shirt from behind) but you can definitely hear me in there. It was a great time, but the next morning I got a brutal kidney stone. Damn you, salty delicious barbecue.
“She’s An Angel” by They Might Be Giants, recorded on Monday, April 28, 2014, at Motorco in Durham, North Carolina. PopUp Chorus is held on Monday nights at Motorco in Durham, NC, and is brought to you by Community Chorus Project, founded by Lauren Bromley Hodge.
First, the search engine is awful. For example, I woke up singing Eddy Grant’s “I Don’t Wanna Dance” and thought “Gee, I’d like to hear that. And I wouldn’t mind playing Henry Electric Avenue or Give Me Hope Johanna either.”
So I searched for “Eddy Grant” and started off with this page of gobbledygook:
5% of which appear to be “original artist” albums (none of which resemble the original album covers), followed by 45% cheap-looking soundalike records (sure, the Caribbean and especially Jamaica are famous for their scale of bootlegging, but doesn’t famously fastidious and litigious Apple have ANY quality control over their content? If not, at least over ranking?) The remainder appear to be single tracks on multiple-artist compilations, yet interspersed between those are Eddy Grant or Equals (his original group) releases of potential interest. Trust me, it goes on for another page.
The best part, though, is noting Anal C*nt‘s “Everyone Should Be Killed” smack dab in the middle of the ranking. Turns out AC has a song called “Eddy Grant” (which loosely resembles “Electric Avenue” yet is nowhere near as funny as “I’m Not Allowed to Like AC anymore since they signed to Earache” or “Song Titles Are F**king Stupid.”) Apple’s search engine isn’t even sophisticated enough to exclude it from my ALBUM search.
So while I am sure ICE (Grant’s original label) and Sony (North American licensee) are probably more to blame for Apple Music’s lack of decent releases than Apple is, it does lead one to question — couldn’t Apple have at least one person on staff to browse through the notable artists and make sure they have at least one legitimate, half-decent catalogue best-of? And if not, present the label(s) with a laundry list. If Apple Music is being sold as a best-of-class product, it needs quality catalogue.
I already feel guilty enough for likely reducing the short-term income streams of the artists I like (though I still reflexively buy/download records by the ones I LOVE — it certainly helps when I know they are their own label or work with fair, equitable partners) so why add all this UX friction to the mix?
And could Apple PLEASE poach a few people from Google Search to improve their search engine? (There’s no excuse for how weak iOS App search is, either.)
This is without a doubt the best political essay I’ve read in ages, polemic or not. It crystallizes the issues with sharp and hilarious lines reminiscent of Taibbi or Bai or hell, Thomas Frank.
If Millennials are coming out in droves to support Bernie Sanders, it’s not because we are tripping balls on Geritol. No, Sanders’s clever strategy of shouting the exact same thing for 40 years simply strikes a chord among the growing number of us who now agree: Washington is bought. And every time Goldman Sachs buys another million-dollar slice of the next American presidency, we can’t help but drop the needle onto Bernie’s broken record:
The economy is rigged.
Democracy is corrupted.
The billionaires are on the warpath.
Sanders has split the party with hits like these, a catchy stream of pessimistic populism. Behind this arthritic Pied Piper, the youth rally, brandishing red-lettered signs reading “MONEYLENDERS OUT.”
And despite being a proud, self-identified millennial (imagine that!) it’s not even all about her. Mostly. So why are you still here and not already reading this thing?
Stumping for Hillary Clinton this weekend in New Hampshire, hedge fund manager Madeleine Albright squawked, “There’s a special place in Hell for women who don’t help each other.” When the Democratic National Committee chair, Debbie Wasserman Schultz, was asked earlier this year why she thought Millennials resist Hillary Clinton, she…
One of the great things about having an online distribution partner is when they take the initiative and upload catalogue tracks to YouTube in (in this case, optimistic) hopes of click-through streaming royalties.
Sometimes, though, the results are unexpected.
Provided to YouTube by The Orchard Enterprises Yrreb Yrrehc · Dan Bryk · Tha Commissioners Cherry Berry ℗ 2006 Dan Bryk Released on: 2014-06-03 Music Publisher: Dan Bryk Auto-generated by YouTube.
I forgot all about the B-side to Cherry Berry until someone emailed me asking if this was for real. (That person is apparently the ONE listener thus far.)
The idea was utterly, unapologetically ripped off from the flip of Napoleon XIV’s “They’re Coming To Take Me Aaway, Ha-Haaa!” (I mean, they are both novelty songs fronted by pseudonymous authority figures, right?)
B- Seite der Single “They’re coming to take me away, ha- haaa!” von Napoleon XIV
If you have no idea what any of this is about, there’s this:
Okay, this is easily the single greatest song ever written about a state commissioner of labor. Yep, the smiling face of North Carolina Labor Commissioner Cherie K. Berry has inspired a song. A really funny song. Actually, just a great song altogether.
I contributed a cover of “I Hate My Generation” to an upcoming Sloan tribute record. How upcoming? It drops this Friday the 5th on Detroit’s Futureman Records. They’re even taking pre-orders.
from the album If It Feels Good Do It – A Sloan Tribute
It’s an admittedly highly interpretive take on the original, and I managed to sucker an amazing band into it: Josh Hicks on the sticks, Joe Giddings (ex-Star Collector) and Steve Della Maggiora on guitars, Frank Padellaro (you may know him from King Radio or the Scud Mountain Boys) on bass and Brandi Ediss on shouting.
And me on harmonies. Lots and lots of harmonies. Do you remember how Moxy Früvous’ Get In The Car basically ripped off the intro (and uh, general vibe) of Pen Pals? You don’t? Well, I sure as hell do!
Now that I am officially part-American, I have finally created my first petition. Could I get a witness? I require 150 signatures for my petition to show up on the White House website:
Governor Rick Snyder’s actions have caused irrepairable harm to the families of Flint, Michigan. Gov. Snyder needs to be indicted for criminal negligence in the matter of the poisoning of the city water of Flint, Michigan, and if found responsible he needs to be charged.
So please, sign and share! It only seems fair.
It’s the end of the year and I realized I haven’t accomplished much beyond still being alive. I guess that’s pretty good, actually. It’s also the first year since my teens where I didn’t finish writing one single solitary song. Still reeling from what’s definitely my worst year ever, for a variety of reasons probably best shared over alcoholic (well, caffeinated for me) beverages.
Still, I have much to be thankful for.
Thanks to my rag-tag band of friends for a very convincing job of listening to what must have been tediously evolving tales of the same woe is me. Thank you O makers of Steve Jobs and You’re The Worst. Thank you Apple for finally increasing the iTunes Match limit to 100,000 tracks. Thank you DC cab driver who actually drove back uptown from Georgetown to return the iPhone I absent-mindedly left in your cab. Thank you Canada for voting out Harper and his band of cynical cronies. Thank you again and again President Obama for your Affordable Care Act — more specifically, the Mental Health Parity part. Thank you Judge George H. King of Los Angeles district court for your ruling in Rupa Marya v. Warner/Chappell Music. Thanks to my extended family for your love and concern and support. Thank you bendamustine and rituximab. And thanks to my amazing wife and kid for keeping things real, and at times even really great.
And a Happy Chrismahanukwanzakah to you.